About "Goliath"

"Goliath" is a student film that follows the lives of Mary in David in trying to understand David's depression and their changing lives. This is the working script of the film. Please feel free to comment on what you think of the story, characters, etc.

Sunday, March 29, 2009

"Goliath"

MONTAGE.

Footage of Mary and David doing things. There is a sinister tone underneath the whole montage. Snippets of dialog between Mary and David.

Interior of Mary's house. Her opening the front door.

MARY

David?

Cut to Mary standing in the woods alone.

MARY

David? Are there?

Cut to the inside of David and Mary's tent in the woods. David turns on the camera and holds it to his face for some time. Mary wakes up.

MARY

David, what are you doing with my camera?

DAVID

Nothing.

David turns off the camera.

INT. MARY'S ROOM.

Mary sits in front of the video camera she's set up on her computer, maybe a web cam or something similar.

MARY

OK. So this is, like, the first ever installment of my new video diary so that when I'm become all famous from my cut-throat documentaries of the hardship, famine, war, disease, political turmoil, and social problems that exist today, I can use all of my footage to show younger generations what my childhood was like, cause all of this will be gone thanks to the Chinese government that'll gain power and bring a newfound peace and prosperity to the world whether you like it or not thank you very much. So after I except my Oscar for best documentary for my film about what it's like to be grown in a human womb, I can just make another film explaining my early career, which will of course snag next years Oscar. My teachers think that I'm too forceful and hellbent on how things will turn out and that I don't take well to "constructive criticism." But just because I know I'm better than everyone else doesn't mean that I can't take a hint.


PRINCESS MARIGOLD AND THE GOBLIN PRINCE.

Old footage of Mary, David, Nate and several other children making a movie. Mary operates and the camera. A make-shift stage set up outside, with a blanket as the background sits in front of a large chair/couch. Mary and David are about 12 or 13, Nate's about 7 or 8.

Young MARY

Are you guys ready yet?

YOUNG DAVID

Hold on. Nate won't put his costume on.

YOUNG NATE

I don't want to be a girl. Girls are gross.

YOUNG MARY

You're the only one who fits into the princess costume.

Another child

Just put it on, Nate.

YOUNG NATE

No wig.

YOUNG MARY

You have to wear the wig, or else the illusion is lost!

Sounds of a scuffle.

YOUNG DAVID

OK. Ready.

YOUNG MARY

OK.

Mary holds up a sheet of paper in front of the Camera, with the title "Prinsess Marygold and the Gobblen Prinse."

YOUNG MARY

The story of the Princess Marigold and the Goblin Prince. By Mary Paul and David Gregory. Set by Mary Paul and David Gregory. Lighting by Mary Paul and David Gregory. Director of Photography Mary Paul. Directed and narrated by Mary Paul. Basically everything was done by me and David, so...

YOUNG DAVID

Hurry up Mary!

She takes the sheet of paper out of the way of the camera.

YOUNG MARY

Once upon a time there was a young princess, named Marigold.

Nate crosses to sit on a chair set up on their makeshift stage.

YOUNG MARY (CONT'D)

Even though she wasn't very pretty, she was smart and talented...

EXT. OUTSIDE IN DAVID'S BACKYARD. IN THE BUSHES. AFTERNOON.

Mary is hiding in the bushes from David, who is taking a nap on a chair under a tree.

MARY

The hunter quietly stalks her prey, the David-us Ignoraimus, her favourite meal. Yum yum yum. There is no escaping her now.

She is right beside David, with the camera inches away from his face.

MARY (CONT'D)

(Shouting) David!


He jumps from his sleep.

DAVID

Holy fuck!

MARY

(Laughing)


DAVID

What the fucking hell was that?

MARY

(Laughing) Really funny.


DAVID

Are you filming this?

MARY

No.

DAVID

Then why is the red light on?

MARY

No it isn't.

DAVID

Turn it off Mary. Turn it...

Cut to David lying on the grass, with the camera above him. Mary operates the camera.

MARY

How has your day been, Mr Gregory?

DAVID

Shitty.

MARY

And why would that be, Mr Gregory?

DAVID

This crazy person woke me up.

MARY

Is it not possible, Mr Gregory, that said person had a very good reason for waking you up?

DAVID

Said person never has a good reason for anything.

MARY

So not true!

DAVID

Name one thing you've ever done for good reason.

MARY

OK. How about the time I saved up for the extended Lord of the Rings boxset? There's something I did for a good reason. And you can't say no to that 'cause you watched them with me the same day.

DAVID

Are people going to see this?

MARY

Why?

DAVID

I'm worried what they'll do to you once they find out how crazy you are.

While David talks, Mary zooms in and out with the camera.

DAVID (CONT'D)

What are you doing?

MARY

Making this interview more interesting. Woo. Woo.

DAVID

Give me that!

MARY

No...

Cut to Mary standing next to the garden.

MARY (CONT'D)

Not fair Daivd.

DAVID

Never said it was.

MARY

You stole my camera.

DAVID

You stole my dignity.

MARY

Trade?

DAVID

OK.

They walk towards each other, and David passes the camera back to Mary.

DAVID (CONT'D)

So you'll tape over the interview?

MARY

Of course.

DAVID

Promise?

MARY

Promise.

DAVID

I don't want to find this later in your computer or something.

MARY

God, I'll get rid of it!

DAVID

Now?

MARY

No, not now.

DAVID

Why? I want to see you destroy it right now.

MARY

Now?

DAVID

Yes now.

MARY

No.

DAVID

Why not?

MARY

Because I want to use my laser vision, and the radiation would kill you.

INT. MARY'S ROOM. EVENING.

Mary sits at her computer, speaking into the camera.

MARY

OK. It's Friday night, and David hasn't called me yet, and I'm really T.O.-ed. But what can you do?

Raises a phone to the camera.

MARY (CONT'D)

Except prank phone him!

She dials a number, laughing.

MARY (CONT'D)

Hello? Yeah, I'm looking for some hot male strippers, and I was told to call here. Yes, well, there for this friend of mine, David Gregory. Yeah. We were talking the other day about how much he wanted to have some hot male strippers, so I thought, hey, it's his birthday, why don't I get him a really awesome present.

David is screaming into the phone, though everything he is saying is unintelligible . Mary is clearly having fun.

MARY (CONT'D)

Oh come on! It's me! What do you mean, "Who's me?" Yeah, of course it's me, duh. Who else do you know that would phone you up and ask for some hot male strippers? Like hell "good point." So when are you picking me up? What do you mean you're not? What do you mean you're busy? No, you can't sit at home doing nothing tonight. It's Friday, we're young, and I have to many braincells left to be considered living life to its fullest. So when are you going to pick me up?

Cut to David driving up in his car as Mary walks towards him, bubbly and pleased. She opens the car door and plops down next to him.

DAVID

Shut up.

INT. DAVID'S BASEMENT. NIGHT.

Mary and David have set up the camera so that they are both visible in the shot. They're sitting on a couch with snack food piled around them.

MARY

So wasn't a Sean Connery movie night so much better than the alternative?

DAVID

Sure.

MARY

Sure? Sure is all I get for my effort and time in putting together such a marvelous evening?

DAVID

I was the one who drove us everywhere and paid for everything.

MARY

I forgot my wallet!

DAVID

Conveniently enough.

MARY

I am shocked and disturbed by your horrible accusation!

DAVID

So where did you leave it?

MARY

On my dresser.

DAVID

Next to the gnome?

MARY

You say it like it's a bad thing.

DAVID

I don't trust the gnome.

MARY

You gave me the gnome!

DAVID

I thought you two would be good together. The underlying evil in you seemed to match his.

MARY

Poor gnome.You had a good time tonight.

DAVID

(Sighs)

Yes, I've had a good time tonight.

MARY

(Triumphantly)

There you are, ladies and gentlemen, he admits it! I have done my duty. I can die happy.

DAVID

I'm so pleased that this evening has turned out to be all about you.

MARY

You don't catch onto things very quickly, do you?

They sit quietly for a moment.

MARY (CONT'D)

Hey David?

DAVID

What?

MARY

Do you think we'll still be friends in twenty years?

DAVID

You mean when we're old and decrepit?

MARY

Be serious.

DAVID

I think we will.

MARY

Really?

DAVID

Yeah. Sure we'll be friends.

MARY

Even if I become really famous and you're flipping burgers.

DAVID

Yeah. And they're going to be the best damn burgers any human ever has consumed.

MARY

Good.

DAVID

Good.

INT. DAVID'S CAR. AFTERNOON.

Mary and David listen to very loud, angry sounding music as David drives them around.

DAvID

Do you ever turn that thing off?

MARY

No.

Ext. Farm. Campfire. night.

Mary fixes the camera so that it is at just the right angle. Friends laugh in the background.

MARY

...Cause I want to remember everything when I'm old and feeble.

DAVID

I don't think this obsession is a healthy one.

FRIEND ONE

Where are the marshmallows?

Cut to friends all laughing and throwing marshmallows at each other.

Cut to one friend telling a scary story to the others, with a flashlight under his chin.

FRIEND ONE

...and the floorboards creaked, *creaking noises* as the girl walked towards the door and slowly opened it *door opening noises*.

Friend Three, turns and grabs another friend.

FRIEND THREE

Boo!

Several people scream. Everyone starts laughing.

MARY

Holy shit man!

Cut to the group sitting quietly, staring into the fire, while a couple talk quietly.

Cut to the group sitting. Several people are no longer there, having gotten up between the cuts. Friend One sits with his girlfriend while Mary and David, wrapped in a blanket, sit beside each other. Girlfriend whispers something to Friend One and stands up, pulling him up behind her. Friend One turns back to Mary and David and shrugs, smiling. Mary and David smile after them as they skip away. Then David reaches out to Mary and touches her shoulder.

DAVID

You OK?

MARY

Yeah. Just tired.

DAVID

Cold?

MARY

A little.

David opens up his blanket. Mary laughs and moves to sit in on his lap. He wraps them both up in the blanket.

DAVID

Have you finished the essay for Murry's class yet?

MARY

What do you think?

David laughs.

MARY

What are you doing Thursday?

DAVID

Nothing.

MARY

Want to make dinner for me?

DAVID

Folks out?

MARY

However did you know?

Cut to David and Mary sitting together quietly, watching the fire.

Cut to Mary and David laughing uproariously.

MARY

That is not what he said!

DAVID

What did he say then?

MARY

He said...

Mary is overcome by laughing, and they both laugh harder.

Cut to Mary and David watching the fire again.

MARY

Do you think I'll do it?

DAVID

What?

MARY

Become a director?

DAVID

Honest?

MARY

Yes.

DAVID

I think you'll do whatever you want to.

MARY

Really?

DAVID

Yup.

Mary looks up at David. They look at each other for a moment,before David slowly leans into Mary. She leans in as well, and they kiss for a moment. Mary pulls away quickly.

DAVID

Sorry.

MARY

That's OK.

They start watching the fire again. A group of their friends comes, back, laughing and joking.

INT. A CLASSROOM. AFTERNOON.

Mary has her camera in a classroom. A teacher is giving a lesson of some kind. She pans the camera around the room, with various students noticing what she is doing. The teacher, however, seems oblivious. Mary pans from one side of the classroom to the other. David holds up a piece of paper. Written on it in big letters is, "You suck."

MARY

Real mature.

David shrugs, then goes back to paying attention. Mary turns the camera towards the clock. It's almost three o'clock. She waits for the teacher to dismiss them

The bell rings, the teacher dismisses them and the students quickly pack up their things. They leave the class room in a rush. Mary waits outside the door for David.

DAVID

You're such a schmuck.

MARY

I'd rather be a schmuck than a loser. Really, "You suck?" You need better comebacks my man.

They walk down the hall. Students around them respond to the camera, either by avoiding it or stepping in front and making faces into it.

DAVID

Are we still on for tonight?

MARY

Do I still have faith that pigs will fly?

DAVID

Can you ever just give a straight answer?

They come to David's locker. He drops his books and opens the lock, then puts his books away.

MARY

Do Klingon's like Tribble's?

DAVID

You suck.

MARY

Better comebacks.

DAVID

Are you still up for it?

MARY

Of course. Like I'd walk out of it now.

DAVID

OK. Outside. The hill. Midnight.

MARY

Not midnight. That's so cliché.

DAVID

Fine. What time do you want to meet?

MARY

(Mocking)

I don't know. How about midnight, when all the cool kids meet.

DAVID

There is no word to describe the freak you are.

MARY

How about eight. We'll grab dinner and then do it.

DAVID

Sure.

MARY

Fine.

DAVID

See you at eight.

MARY

Where are we going to meet?

DAVID

I'll pick you up.

MARY

Promise?

DAVID

No way am I going to miss this.

EXT. ON A HILL. NIGHT.

David films Mary. They are with a group of people, standing around Mary, who is wearing a hockey helmet, shoulder pads, and various other forms of protective sportswear. There is a large garbage can sitting next to her.

MARY

Is it on?

David

Yes it's on.

MARY

Are you sure?

David

It's says it's recording right now!

MARY

OK. Loyal following! I am about to do what was originally thought to be the impossible! I am going to roll down this big ass hill, wearing only this protective gear, and this barrel, and I'm doing it for ten freaking dollars!

DAvID

You're crazy!

MARY

And soon to be ten dollars richer. Help me into this.

Some of the crowd go forward. They lower Mary into the garbage can, and then tip it down so it's on its side. The camera flickers.

David

Shit!

MARY

What?

DAVID

The camera went funky.

MARY

Is it working?

DAVID

Yeah.

MARY

Is it recording?

DAVID

Yeah it's working now.

MARY

Good. I don't want to miss this.

NATE

Mary?

MARY

What Nate?

NATE

If you die...

DAVID

She's not going to die Nate.

NATE

But if you do, can I have your monkey lamp?

MARY

Sure thing Nate.

David walks over so that he is standing beside Mary.

DAVID

(Whispers) Mary?


MARY

Yeah?

DAVID

Don't die, OK?

MARY

Sure thing David. (To the group) Let's go boys! I can't wait all day!

GUY ONE

OK, ready?

MARY

Yeah yeah. Push us already!

GUY ONE

OK. Here we go!

They push Mary down the hill. She rolls down wildly, and eventually crashes at the bottom. The group runs down to make sure Mary's OK.

DAviD

Mary? Mary! Are you alright? Mary?

FRIEND TWO

Shit!

Mary doesn't respond. David runs up to her and pulls off the helmet, but before doing so, passes the camera to Nate, who keeps recording.

DAVID

Mary, are you OK? Say something.

GUY TWO

Is she awake?

GUY ONE

She's not saying anything!

GUY TWO

Fuck! We've killed her!

NATE

Mary? Some one get a flashlight over here!

DAVID

Say something.

MARY

That was fucking awesome!

DAVID

Shit!

NATE

Did she say something?

DAVID

She's OK.

MARY

Where's my ten bucks?

DAVID

You're crazy! You're fucking crazy.

MARY

Takes one to know one, jackass.

INT. MARY'S ROOM.

Mary sits at her computer. Talking into the camera.

MARY

So I'm grounded for the hill escapade. But I still have this.

Shows the camera a ten dollar bill.

MARY (CONT'D)

Ha ha! It was so worth it! Two weeks? It's like they're congratulating me! I even heard the old man saying he wish he had thought of it at my age! And look at this.

Holds up a math test with a fairly decent grade on it.

MARY (CONT'D)

I got a seventy-three percent on my math test! This has been the most victorious week of my life!

INT. MARY'S ROOM. ON HER BED. NIGHT.

The camera is set up so that we can see a mess of blankets that is Mary's bed. An action figure is walked in front of the camera by Mary. From the other side of the screen comes a Barbie, twice as big as the action figure. Mary is the voice of all of the characters in her mini movie.

ACTION FIGURE

Hello Madame Doom!

MADAME DOOM

At long last we meet again!

ACTION FIGURE

Let us end this bitter feud once and for all, Madame Doom!

MADAME DOOM

Happily!

The dolls proceed to fight poorly with each other, as only action figures can. Mary makes fighting sounds as they battle.

MADAME DOOM (CONT'D)

Oh! I am slain!

Madame Doom falls slain to the bed.

MADAME DOOM (CONT'D)

I have something I wish to say to you, brave hero.

ACTION FIGURE

Say it quickly, for it shall be your last!

MADAME DOOM

I have *cough cough* always loved you!

ACTION FIGURE

Oh Doom! What have I done!

MADAME DOOM

It is too late!

ACTION FIGURE

No! I can carry you to the nearest settlement!

MADAME DOOM

No! I feel the life slipping from me now!

ACTION FIGURE

NO!

MADAME DOOM

And I die.

Madame Doom dies.

ACTION FIGURE

PRINCESS MARIGOLD AND THE GOBLIN PRINCE.

YOUNG MARY

...Marigold was locked in a tower high up in the sky, where she looked down from above, and saw all the other children playing and having fun without her. Marigold had no friends, except for a little elf that would visit her, but never let her see him...

EXT. A PARK. AFTERNOON.

Mary waits for David with her camera, filming the leaves and trees around her, listening to nature. She hears laughing and a group of preppy, pretty girls walks into frame. Amanda, their leader, notices Mary and laughs.

AMANDA

Look what the cat dragged in.

PREP ONE

What a loser.

They mock Mary from afar, the camera filming them as they do so. David walks up and surprising Mary, she swings the camera to face him. The girls are still audible in the background.

DAVID

Mary?

David notices the girls over Mary's shoulder.

DAVID (CONT'D)

Want to head out?

MARY

Yeah. Sure.

DAVID

You OK?

MARY

Let's just go.

INT. MARY'S ROOM.

Set up for monologue. Mary is obviously upset.

MARY

I don't understand why people can be so horrible to other people. I know I'm not always the nicest person, but at least I know when to stop and when it's not funny anymore. I mean, come on! They're seventeen fucking years old! Can't they even begin to mature past the age of seven? God! I hate them! I hate them! Why can't they just shut up and go away and leave the rest of us in peace?

INT. DAVID'S CAR. AFTERNOON.

Mary and David are driving around, listening to the radio.

DAVID

There is no way in hell that you like the Tears for Fears version better than the Gary Jules version!

MARY

I'm a sucker for the classics!

DAVID

It is not a classic!

MARY

It came first!

David

There are synthesizers!

EXT. A WOODED AREA. A CAMP SITE. MIDNIGHT.

Mary and David are camping in a forest, filming a parody of "The Blair Witch Project." Mary films their campsite as David sets things up.

MARY

So this is our tent. And we'll put the fire in this pit thinger here.... Hey David, want to roast marshmallows later?

DAVID

Do you have any?

MARY

No.

DAVID

Then no.

MARY

What are you doing?

David has tied a bag full of food to a rope and has thrown it over a branch high up on a tree.

DAVID

Protecting the food from scavengers.

MARY

Like what?

DAVID

Bears.

MARY

Bears?

DAVID

Maybe not bears...

MARY

David, all the scavenging animals that live here can get to the food.

DAVID

Oh.

David finishes his task.

MARY

OK. Ready?

DAVID

Wait.... OK.

Cut to a later time. Night has fallen. They both have a camera, and we cut from one to the other as the need arises.

MARY

OK. Ready?

Cut to David's camera, filming Mary.

David

Ready.

MARY

OK. Once upon a time there was a Blair Witch, and she ate little children and was really hairy according to that crazy lady in the movie and it killed these kids making a documentary about her.

DAVID

You're a horrible narrator.

MARY

Shh!

DAVID

Sorry.

MARY

One day, a new group went into the forest to try and capture the (said dramatically) Blair Witch! Oowo! Oowo!

DAVID

I heard something outside!

MARY

Fuck fuck fuck!

DAVID

It was this way!

MARY

Is it our companion, stolen from out midst?

DAVID

At least try to be natural.

MARY

Fine.

The film cuts and skips.

DAVID

What now?

MARY

Umm, let's try running!

DAVID

OK.

Mary and David run screaming and laughing.

PRINCESS MARIGOLD AND THE GOBLIN PRINCE.

...The elf and Marigold would talk all day about everything and anything. They were the best of friends. But Marigold didn't understand why her best friend wouldn't come out from his hiding place behind the curtains...

INT. INSIDE THE TENT SET UP FOR BLAIR WITCH FILMING. NIGHT.

David turns on the camera and turns it on himself. He holds it for awhile, staring into the screen, trying to say something. Mary wakes up.

Mary

What are you doing?

DAVID

Nothing.

David turns off the camera.

INT. DAVID'S HOUSE. HIS KITCHEN. DAY.

David's brother sits at the kitchen table, eating cereal. His mother is at the counter, making some kind of meal. David stands at the counter, taking his medication. Mary sits by Nate, trying to interview him. He is resistant to her efforts.

MARY

Mr. Gregory...

NATE

Master.

MARY

What?

NATE

I'd be called master. I'm not old enough to be a mister.

MARY

If you're not careful, I'll tell your mom where you were the night on the hill.

NATE

You wouldn't.

MARY

Try me.

Stony silence as they try to call the others bluff. Mary wins.

NATE

(Unhappily)

Fine.

MARY

Mr Gregory, would you mind telling us what you are breakfasting on this fine morning?

NATE

Discount oat loops.

MARY

Yum yum. Discount oat loops.

Zooms in close to the oat loops.

NATE

Back off.

MARY

Are you almost done over there?

DAVID

Yeah. Let's go.

DAVID'S MOM

You'll be home in time for your appointment with Dr. Kramer?

DAVID

Yeah mom.

DAVID'S MOM

It's important David.

DAVID

That's what everyone keeps telling me.

DAVID'S MOM

(Shouting after him)

Be back before one!

David and Mary leave. Once outside, Mary speaks.

MARY

Who's this Kramer?

DAVID

New psychologist.

MARY

What happened to the old psychologist?

DAVID

He sent me to the new psychologist.

MARY

Oh.

DAVID

Come on.

EXT. AT A PARTY. A FRIEND'S HOUSE. NIGHT.

Mary and David drive up to a house with teenagers sitting on the front lawn and loud music coming from inside. A large party has already started. Mary is filming. They get out of the car and walk up to the door and enter. The people by the door notice they've come in, but few greet them in any substantial way. David enters the crowd, Mary following and filming him. They walk through crowds of kids, some hanging out, some dancing to the music. David turns to Mary.

DAVID

I'm going to get something to drink.

MARY

Are you sure that's...

DAVID

I'll be fine. Want anything?

MARY

No thanks.

DAVID

A beer, then?

He gives a half-smile and turns to get the drinks. Mary wanders more, getting up close to a live band set up in the living room. She films them playing until David comes up behind her and taps her shoulder.

DAVID (CONT'D)

Here.

He hands her a plastic cup.

MARY

Thanks.

DAVID

Let's get away from this noise.

They walk away to a quieter part of the house, and eventually outside again. They hang out with some friends they've found there.

FRIEND ONE

(Taking the camera)

Hey Mary, how does this work?

He does horrible things to the camera.

FRIEND ONE (CONT'D)

What's that beeping noise?

MARY

Shit! What the hell have you done! Give me that!

DAVID

I'll be back.

David leaves. Some time passes, the friends goofing around and being general idiots, talking about things going on at school, quoting famous movies, etc. Mary notices that David has been gone for awhile and she decides to go look for him.

MARY (CONT'D)

Can I have my camera back?

FRIEND TWO

Sure thing.

She heads inside, but once there, get's caught in a crowd, with people shoving past her. She moves around frantically, trying to find David and get out of the mass of people. Suddenly, David appears at her shoulder, stressed out and obviously upset about something.

DAVID

Mary!

MARY

There you are! I was looking for you...

DAVID

Can we go?

MARY

What?

DAVID

I want to go.

MARY

OK. Umm...

DAVID

Now. Please Mary.

MARY

Can I say bye to the guys...

DAVID

Mary!

MARY

OK. Let's go.

Cut to inside of David's car. David drives them home from the party as Mary films him from the passenger seat.

MARY

Are you OK?

DAVID

Yeah. Sure. Why?

MARY

You wanted to jet pretty quickly.

DAVID

Just wasn't into it.


MARY

OK.

PRINCESS MARIGOLD AND THE GOBLIN PRINCE.

Mary

...No matter how much Princess Marigold begged and pleaded, the elf wouldn't come out and see her. In fact, when she did ask him to come out, he would hide himself even more...

Ext. wooded area. midnight.

Mary and David run through the forest laughing and screaming.

Mary

Which way?

David

This way! Follow me!

More laughing and screaming.

int. Mary's room.

Mary has set up her camera for a monologue.

Mary

(Happily)

I am so tired. David's mom took us shopping today. It was awesome! We went to this crappy old bookstore and found this book about surviving high school for kids in the fifties, and it's seriously like, "Hey there Billy! Would you like to know what time it is Billy? It's time for high school Billy! doesn't that sound like fun Billy? Oh Billy, you're such a little hooligan." It's fucking hilarious! And then, we saw this weird artsy film about people who mysteriously loose their faces and move to this town in the mid-west. It was really trippy yet oddly plausible. Oh, and after that, we went to this crazy Vietnamese restaurant where the owners yelled back and forth to each other in Vietnamese and we ate this like fish thing and I think it was still kind of alive, or at least it smelt that way. Then we had ice cream. Official status: this has been the most incandescently perfect day of my life.

INT. MARY'S ROOM.

Mary has built a puppet theartre out of a large cardboard box. having set up the camera opposite the theartre, she runs behind and sets to putting on a show for the camera. David is laughing behind the sock puppet theartre

MARY

Once upon a time there were sock puppets, then there were... SOCK PUPPETS FROM HELL!

A sock puppet pops up. It surveys the scene.

Sock puppet

I have found and tilled this good green earth till it has brought me crops, and with them, peace and prosperity.

A glove with each finger as an individual person appears from the side and flies from one side of the theartre to the other.

gLOVE

Hurray!

SOCK PUPPET

What could possibly go wrong with this situation?

Tiny sock glove screams come from where they disappeared.

SOCK PUPPET

What ever could that be?

Sock puppets from hell appear from where the screams came from.

hellish sock puppets

Grarr!

SOCK PUPPET

Oh no! It's... sock puppets from hell!

HELLISH SOCK PUPPETS

ROAR!

The sock puppets from hell begin to attack the regular sock puppets. Soon enough, the glove comes back and an epic battle ensues. Soon enough, however, the evil sock puppets begin to over take the regular socks.

SOCK PUPPET

It's no use! We'll never defeat them!

A shiny floating orb descends from the top of the theartre.

Floating Orb

All is not lost, Witheropt.

SOCK PUPPET

Why, it's a giant floating orb!

FLOATING ORB

Follow your heart, Witheropt!

A sock puppet made out of a tiny tiny sock appears from behind a larger sock.

Witheropt

I understand, giant floating orb!

Witheropt leaps forward and covers the evil socks with a clear plastic bowl that has been picked up from the floor, which acts as a forcefield.

WITHEROPT

Haha! The socks from hell are captured and shall never again attack the poor villages!

Socks

Hurray!

MARY

But for how long? Da DA da DA da DAA!

David falls out of the sock puppet theartre, laughing.

MARY

It was good, wasn't it?

PRINCESS MARIGOLD AND THE GOBLIN PRINCE.

MARY

...One day something horrible happened. The evil Knights of Milkweed came up to the tower and took Princess Marigold away. She called out for her elf friend to save her, but he was too afraid to come out. So she was taken away. Princess Marigold was taken away to King No-Land's evil kingdom, where he told her he was going to force her to be his Queen...

EXT. David's house. Early afternoon.

Mary rings the doorbell. Nate answers the door.

MARY

Nate! I'm looking for your brother. Has he emerged yet?

NATE

Yeah. One sec.

Mary follows Nate into the house.

NATE

David! Mary's here!

David walks in from another room.

DAVID

No.

MARY

Come on David!

DAVID

I want a quiet day at home!.

MARY

You always say that and then you always have fun.

DAVID

A quiet day Mary. Just once.

MARY

Ok. I promise it'll be quiet.

DAVID

You sure?

MARY

Yes. The plans were quiet to begin with.

DAVID

(Suspicously)

What are you planning?

EXT. A PARK. AFTERNOON.

Mary and David are having a picnic in a calm and lovely park. they're set up on a blanket, with every picnic stereotype in the book.

MARY

More lemonade, Mr. Gregory?

DAVID

Why thank you, Ms. Paul.

MARY

So...?

DAVID

It's OK.

MARY

OK? This is everything you wanted today! It's quiet! Cultured! I don't know what else you would want for a quiet day!

DAVID

Nothing. It's perfect.

MARY

Then what's wrong?

DAVID

Nothing. I'm just not in a mood to enjoy it.

MARY

You're never in a mood to enjoy anything!

DAVID

That's not fair!

MARY

It's true! What's the good of the fucking drugs if they're not working!

DAVID

This isn't about the meds Mary!

MARY

Then what's it about David?

DAVID

Fuck this!

David storms off. Mary sits watching him go, then turns off the camera.

INT. MARY'S ROOM.

A monologue.

MARY

I'm an asshole.

EXT. DAVID'S HOUSE. EARLY AFTERNOON.

Mary rings the doorbell to David's house and waits. No one answers, so she takes out a key and unlocks the door.

MARY

David?

INT. MARY'S ROOM.

Mary paces around her bedroom with her phone. She keeps going to dial a number, then stops. Finally, she dials the number and makes the phone call.

MARY

David? Yeah, it's me. Look sorry about...

David interrupts her to say something.

MARY

No, it's my fault. I got to involved in a stupid plan of mine and I took things way to personally. Can I make it up to you? OK. pick me up here in half an hour. OK. See you then. OK. Bye.

INSIDE DAVID'S CAR. AFTERNOON.

Mary and David are driving to Mary's secret destination. She films what passes by in the window.

DAVID

Are we there yet?

MARY

Almost.

DAVID

Straight or turn?

MARY

Turn left. A little farther out.

Cut.

DAVID

It's a nice day.

MARY

Very nice.

Cut.

DAVID

Do I get any clue?

MARY

None at all.

DAVID

Shucks.

Cut.

MARY

How does that song go?

Cut.

Both

(Laughing)

Cut.

DAVID

Oh, I know this one, I know this one...

Mary and David laugh and try to find the lyrics to the song (yet to be determined). They pull up to an empty beach. They get out and walk along the serf.

DAVID

Hey Mary?

MARY

Yeah?

DAVID

Thanks.

MARY

Feel better?

David looks into the camera.

DAVID

Sure.

INT. MARY'S ROOM.

Mary set up for monologue.

MARY

I'm worried about...

She gives up and turns off camera.

EXT. DAVID'S HOUSE. EARLY AFTERNOON.

Same shot from before. Mary rings the doorbell to David's house and waits. No one answers, so she takes out a key and unlocks the door.

MARY

David?

INT. MARY'S ROOM.

Mary has set up her camera for a monologue. She has been crying.

MARY

Today was a really bad day, and I don't know what to do about it. Some jerks were pissing off David and he got into this fight and then the teacher's all came rushing out. I tried to tell them that the other guys were the ones who started the fight, but then David got all defensive and told me to mind my own freaking business, so I left and came here. So now he's trying to apologize in this geeky email with this stupid cartoon he stole off the internet. I'm just so tired of this whole moody thing he's going through. Whatever medication he's on is only making it worse, and no one but him and me seem to be noticing how fucked up it's making him. I should just go to sleep.

INT. DAVID'S BASEMENT. NIGHT.

Mary and David sit around with a few others, playing cards. David is restless. Mary is filming.

FRIEND ONE

I see your fifty cents, and raise you a holographic pokeman card.

Everyone is laughing and having a good time, except for David.

DAVID

Why don't we go for a walk?

FRIEND TWO

Yeah let's go for a walk.

Friend three

I don't really feel like it.

FRIEND ONE

After this hand maybe.

DAVID

No, let's go now.

FRIEND ONE

OK, after this hand.

DAVID

I'm bored. I want to go do something interesting now.

FRIEND TWO

We can finish the hand...

David throws down his cards and stands up, walking away.

DAVID

Fuck it.

FRIEND ONE

Woah!

FRIEND TWO

You OK?

DAVID

Just leave it.

FRIEND TWO

David?

DAVID

I'm just bored with this shitty game and I want to do something interesting for a change.

FRIEND THREE

Yeah, ok. After this hand.

DAVID

I'm going for a walk.

David leaves the room. Mary follows him.

EXT. DAVID'S HOUSE. night.

Mary has followed David out of his house and is talking with him next to the side door.

MARY

What was that back there?

DAVID

I was done with playing poker, that's all.

MARY

Well you could have been nicer about it.

DAVID

(Angrily)

I was done so I said so. What's the problem with that?

MARY

Cool off Dave!

David storms off down the street.

MARY

David! Where do you think you're going? David!

EXT. DAVID'S HOUSE. EARLY AFTERNOON.

Same footage as before. Mary rings the doorbell to David's house and waits. No one answers, so she takes out a key and unlocks the door.

MARY

David?

INT. MARY'S ROOM.

Mary has set up her puppet theartre again. Action Figure enters.

ACTION FIGURE

Finally, I can avenge the death of my dearly beloved love, Madame Doom against the villains who made me turn against her, the sock puppets from hell! da da daa!

Enter evil sock puppet.

HELLISH SOCK PUPPET

Well well well. If it isn't my arch enemy...

ACTION FIGURE

Can it socky! Let us do battle and end this!

HELLISH SOCK PUPPET

Gladly!

They battle, but Mary quickly loses interest and stops the camera.

MARY

(Annoyed/Angrily)

Fuck this.

INT. MARY'S ROOM.

Mary and David sit on Mary's bed. Mary is reading through university pamphlets while David plays catch with one of Mary's stuffed animals. They listen to music.

MARY

What about Quebec? We could go there.

DAVID

We don't speak French.

MARY

We would learn while we're there. It's be like an exchange.

David ignores her.

MARY

What about Toronto? Toronto's cool.

DAVID

I'm not going to school so it doesn't matter.

MARY

You're going to school.

DAVID

No I'm not.

MARY

Yes you are David. We agreed years ago. We're going to go to university and study film and whatever it is you want to do with computers and then we're going to start a film company.

DAVID

Software programing.

MARY

What?

DAVID

I wanted to go into software programing.

MARY

Whatever. The point is, we need to find schools close to each other so that we can stay friends.

DAVID

I'm not going to school Mary.

MARY

You don't have a choice. I'm making you come with me. What about this one?

Mary shows him a pamphlet. He ignores it.

DAVID

Whatever.

Mary sighs and goes back to her searching.



PRINCESS MARIGOLD AND THE GOBLIN PRINCE.

MARY

...Princess Marigold's elf friend came out from his hiding place. But he wasn't an elf at all, but a Goblin, one of the Princess' worst enemies. He had been sent by the King No-Land to spy on the Princess, but had fallen in love with her, and couldn't hurt her anymore. But now the evil King had taken her away. There was no choice, but to save her, even though he was afraid, he would have to be brave and face the King. He made plans to go and save her as fast as possible...

INT. MARY'S ROOM.

Mary is on the phone with David, arguing with him.

MARY

What do you mean you aren't taking me to prom? I thought we'd agreed on this? That's not a good enough reason. Look, if you miss it now, you'll regret it for the rest of your life. I'm not taking no for an answer. So buy the tickets and...

She looks at her phone.

MARY

(Speaking to herself)

He hung up on me!

Int. school hallway by David's locker.

Mary films David while he roots through his locker.

MARY

Why don't you tell the viewers at home why you won't go to prom with me.

DAVID

What viewers at home?

MARY

You're missing the point!

DAVID

(Sighs)

I don't see the point in going.

MARY

When has there been a point to anything they've made us do?

DAVID

This is voluntary.

MARY

No it isn't. Besides, you promised you'd take me.

DAVID

Well, now I'm unpromising it.

MARY

That goes against all the rules of promising!

DAVID

Please Mary. Don't make me do it.

MARY

Just give me a reason why and I won't make you go. Just one reason, and I'll back off.

DAVID

One reason?

MARY

Yes. Why won't you go to prom?

DAVID

It'll probably just suck.

MARY

That's your reason?

David

Yes.

MARY

That's stoopid.

David shrugs his shoulders and walks off down the hall.

ext. school. afternoon.

Mary and Nate wait for David to bring the car around to pick them up.

NATE

He wants to go you know.

MARY

What?

NATE

He wants to go to prom. He just thinks he can't for some reason.

David comes round with the car.

NATE

There's David.

INT. MARY'S ROOM.

Monologue.

MARY

This cannot stand!

EXT. DAVID'S HOUSE. NIGHT.

Mary knocks on David's door dressed in a suit, carrying those fancy bags that keep your clothing neat. Nate opens it and ushers her in.

NATE

Mom! Mary's here!

David's mom comes in from the other room and smiles at Mary.

DAVID'S MOM

David, Mary's here for you!

David comes down the stairs, dressed in pyjamas.

DAVID

What are you doing here?

MARY

It's prom!

DAVID

Mary...

MARY

All the work is done for you. Just go upstairs and put on this suit. The limos waiting outside. And by limo, I mean your car. So hurry.

David thinks for a moment.

DAVID

I'll be right back.

MARY

That's the spirit!

David takes the bag and goes upstairs.

DAVID'S MOM

Thank you.

MARY

It's OK.

DAVID'S MOM

No, really Mary. Thank you.

MARY

Go get your camera.

DAVID'S MOM

Oh, right!

Cut to Mary and David standing at the front door. David's mom takes pictures of them. Nate makes faces behind David.

DAVID'S MOM

Pose nicely. Nate, stop doing that! Get out of the picture. Smile guys!

Mary and David smile for the picture, and the flash from the camera goes off.

DAVID

Did you get it?

DAVID'S MOM

Let me try again.

DAVID

Come on Mom!

MARY

This night is for her David. Let her get it right.

DAVID'S MOM

Too true.

MARY

Ooo! Let's do the Prom Pose!

DAVID

The what?

MARY

The pose you're supposed to do for prom. Here....

Mary stands in front of David and wraps his arms around her waist, holding his hands in hers.

DAVID'S MOM

Oooh! That's perfect Mary! Hold still. Get out of the picture Nate! OK, smile!

They smile as David's mother takes the picture.

DAVID'S MOM

Ok. I'm done.

DAVID

You sure?

DAVID'S MOM

Yes yes. Now go and have fun.

MARY

Do you mind if I leave my camera here?

DAVID

Why?

MARY

I don't want it to get lost.

DAVID

You bring it everywhere, why leave it tonight?

MARY

I don't have to explain my rationalization to you!

DAVID

Fine, let's go.

MARY

Turn off my camera, would you Nate?

NATE

Sure.

Nate walks over and turns off the camera.

EXT. WOODED AREA. MIDNIGHT.

Mary and David run through the forest. David goes out of sight.

MARY

David?

INT. MARY'S ROOM.

Camera set up for monologue.

MARY

I am officially and forever more a god among men. David had a blast at prom and everyone loved our matching suits. Gretchen Frances looked liked a complete slut and Brian Clark grabbed my ass three times and tried to get Jennifer Otley to have sex with him in the back of his limo. It was completely cliche and stupid and juvenile. It was perfect in every possible way. David danced with me for the last dance. It's weird, I mean, when we were younger I had this crush on him and everything. I thought I was, you know, over it. But dancing with him at prom was... it felt right.

She turns off the camera.

EXT. DAVID'S HOUSE. EARLY AFTERNOON.

Same footage as before. Mary rings the doorbell to David's house and waits. No one answers, so she takes out a key and unlocks the door.

MARY

David?

Mary walks into David's empty, eerie house.

MARY

David? Are you there? Hello?

PRINCESS MARIGOLD AND THE GOBLIN PRINCE.

MARY

...The Goblin stood in front of King No-Land and demanded for Princess Marigold to be freed. The King said that he would never release his Queen! The Goblin and King No-Land started to fight for the Princess.

Pause for fighting.

Mary

The Goblin struck down King No-Land, but at a terrible cost...

INT. DAVID'S BASEMENT. NIGHT.

Mary and David sit talking. David is staring off into space and obviously not present in the moment.

MARY

So I was all like, woah man, lay off the shouting, and I totally walloped him during lunch. I still have his hat and everything.... David?

David looks up at Mary.

DAVID

What?

MARY

You were all freaky.

DAVID

Was I?

MARY

Yeah. You totally zoned out on me for a second.

DAVID

Oh.

MARY

Everything OK?

DAVID

Yup.

MARY

Stop lying.

DAVID

(Laughing)

It's OK. I was just thinking about some stuff.

Mary sets the camera so that it's filming them both.

MARY

How are things at therapy?

DAVID

Same.

MARY

David, you know if you ever want to talk about anything...

DAVID

Yeah.

MARY

OK.

iNT. A CLASSROOM. AFTERNOON.

Mary films in a class again. She tries to get David's attention, but he ignores her.

Teacher

Mary!

Mary swings the camera around to film the teacher.

TEACHER

What have I told you? Turn that thing off!

Teacher walks over to Mary as she turns off the camera.

INT. MARY'S ROOM.

Mary's on the phone, calling David,

MARY

Please pick up. Please pick up. Please.... Hey, David? It's me, Mary. Yeah, I was just wondering if you wanted to do something tonight? They just came out with this collection of.... Yeah. OK then. Call me later though, OK? Yeah. Bye then.

She hangs up.

EXT. A PARK. AFTERNOON.

Mary walks around with her camera, filming the scenery. She eventually finds Nate, sitting alone on a bench.

MARY

Nate?

Nate looks up at her sadly.

MARY

Are you alright?

NATE

I'm OK.

MARY

You don't look OK.

Nate tries to look OK.

NATE

I just had to get away for awhile.

Mary sits next to him on the bench.

MARY

I know what you mean.

NATE

He's not doing good.

MARY

I know.

NATE

What should we do?

MARY

I don't know.

David's house, his porch, and the wooded Area

Same footage as before. Mary rings the doorbell to David's house and waits. No one answers, so she takes out a key and unlocks the door.

MARY

David?

Mary walks into David's empty, eerie house.

MARY

David? Are you there? Hello?



MARY

David, are you up here? David?

Cut to Mary and David sitting on David's porch. He is obviously lethargic and depressed, staring off into the middle distance. He is wrapped in a blanket, neither here nor there. Mary films.

MARY

What do you want to do?

DAVID

What do you think I want to do?

MARY

We could watch a movie, or go for a walk, or talk...

DAVID

(Interrupting)

Mary?

MARY

Yeah?

DAVID

Do you ever think about making it all stop?

MARY

What do you mean?

DAVID

You know. Just, getting up one day and never coming back.

MARY

Where would you go?

DAVID

I wouldn't have to go anywhere.

Cut to the wooded area. Mary has lost sight of David in the woods. She stops running

MARY

David? David, where'd you go? David? David! This isn't funny anymore!

She starts running again, screaming for David.

MARY

David!

Cut to David's porch.

MARY

I don't think I know what you mean.

Cut to wooded area.

MARY

David!

Cut to David's porch.

Just ending it all.

Cut to the inside of David's house. Mary walks through David's upstairs hallway.

MARY

Are you in here David?

Cut to the wooded area.

MARY

David! Where are you?!

Cut to David's porch.

MARY

I don't think you should think about that.

Cut to the inside of David's house.

MARY

David?

Cut back to the porch.

DAVID

Probably. But it'd be kind of nice. All of this being over. Just the sad parts. Just the sad parts.

Cut to the wooded area.

MARY

David!

DAVID

(Calling to her.)

Over here Mary.

Mary runs in the direction of his voice.

MARY

Where?

DAVID

Here.

Mary runs to the clearing where David is standing alone and very still.

MARY

David?

He jumps at her voice, not realizing at first that she was there.

MARY

David, are you alright?

DAVID

Yeah. Yeah. It just... it got a bit real for a second. It all got a bit too real.

David breaks down, falling to the ground, crying. Mary sets down the camera, and holds him while he sobs.

MARY

It's going to be OK David. It's all going to be OK.

Int. David and Mary's tent in the wooded area.

David turns on the camera and holds it to his face for some time. Mary wakes up.

MARY

David, what are you doing with my camera?

DAVID

Nothing.

David turns off the camera.

Int. David's house.

Mary walks towards David's bedroom and opens David's door and drops the camera downwards. She collapses to the ground. She sets the camera on the bed, so that we can see David lying on his side, not moving. Mary crawls over to him and turns him around so that the audience can see that his eyes are closed and he's not breathing. Mary holds him as she sobs.

MARY

(Screaming, something like what's below)

David! Oh my God! David! What have you done! What did you fucking do? David! How could you? How could you? David! David!

Mary reaches for a phone and calls 911.

MARY

I need an ambulance! Please, I need an ambulance! He not breathing! I need you here now!

PRINCESS MARIGOLD AND THE GOBLIN PRINCE.

MARY

...The Goblin had been stabbed through the heart just before killing the King, and was dying. Princess Marigold rushed over to her friend, and held him while he died. He said, I'll love you forever, and died. She told him she'll love him forever too. And she did. The end.

All the actors clap and hop around excitedly. You can hear Mary laughing in the background.

INT. MARY'S ROOM.

Mary has her camera set up for a monologue. She watches the footage of her finding David. It ends and she turns it off.

EXT. A PARK. AFTERNOON.

Mary walks around. Filming things she sees. She goes to places where she and David used to hang out.

INT. A CLASSROOM. AFTERNOON.

Mary films in her class, David missing from his seat. She watches the clock near three, and the bell rings. She stands with the rest of her class and leaves. She goes to her locker. Amanda comes up to her.

AMANDA

Mary?

Mary turns to her.

AMANDA

I heard about David.

Mary starts to open her locker.

AMANDA

I just wanted you to know I was sorry. I know you guys were really close.

MARY

Do me a favour Amanda?

AMANDA

Yeah?

MARY

Fuck off.

Mary slams her locker door closed.

INT. MARY'S ROOM.

Camera set up for monologue. Mary holds a Post-It in her hand.

MARY

I...

She stops and turns off the camera. She turns the camera back on.

MARY

I never knew I could feel so horrible. I knew he was depressed, but I never thought he's go that far. He talked about it with me. He once said he thought about killing himself. I didn't know what to say, so I made a joke. I made a fucking joke. How could I have been so horrible to do that to him? He was trying to ask for help and I made a joke. This is all he left.

She holds up the Post-It.

MARY

It says, There. That's all. T-H-E-R-E period. No question mark, no exclamation mark. Nothing else. I've been trying to figure out what it means, but it doesn't seem to mean anything. I should have helped him. I should have done more. But how could I handle him when I couldn't even handle myself?

She begins to cry.

Int. a church. David's funeral.

A preacher stands at the front. Mary films.

Preacher

It is always hard to lose a loved one, and even harder when that loved one chooses to take his own life. We can't begin to imagine what David must have been going through to feel that he needed to end his short life on this earth. But we need to believe that he is in a better place now. A place where he can't feel the pain that he felt in this world. A place where he is loved and...

Mary turns off the camera.

Ext. David's street.

Mary walks up the street towards David's house. Nate sits on the front porch, dressed in black. Mary walks to where Nate is sitting and sits down next to him.

MARY

Hey Nate.

NATE

Hey Mary.

MARY

Where are your parents?

NATE

They had to take care of some things with the funeral home. What they want the tombstone to say and stuff.

MARY

Sure.

Nate

Do you think we could have done something?

MARY

I don't know.

NATE

I mean, I could have been nicer to him and not hated it when he got all their attention...

MARY

I don't think that's what he needed.

NATE

Do you think he did it because he hated us?

MARY

I don't know why he did it.

NATE

Was it awful?

MARY

What?

NATE

Finding him?


It was the worst.

NATE

Mary?

MARY

Yeah Nate?

NATE

Promise me you won't kill yourself.

MARY

As long as you promise.

NATE

OK.

MARY

Mind if I go in for a second?

NATE

Yeah. OK.

Int. David's Bedroom.

Mary films David's bedroom, going over all of his things very carefully so that all of it is recorded.

Ext. The Beach. Cloudy afternoon, and INt. Mary's room.

Mary walks along the beach, though it is much windier and darker than when she went there with David originally. She walks along the serf, staring out at the water.

Cut to Mary's room. Mary holds her camera to her face, speaking into it.

MARY

I went to the beach me and David went to one day today. It was a lot lonelier without him. I just... I don't want my life to become anything where it's before him and after him. I still don't understand why he did it. And I don't think I want to know. My theripist said I should make a list of things I want to tell him, but can't anymore. I wanted to tell him that I wish we could have gone to Europe, like we planned, after graduation. I wanted to tell him that he still owes me twenty dollars for the gas money he borrowed from me. I wanted to tell him it's OK that he's depressed. I wanted to tell him that I didn't want him to have to die to not be sad anymore. And I wanted to tell him that I loved him. I didn't get a chance to do that. I really wish I had. All this...

She indicates everything in front of her, mainly the recording camera.

MARY

...is all for him.

MONTAGE.

Similar to the first, but with a more hopeful mood. Have such things as Mary, David, and Nate goofing around. Mary and David driving through a drive through to get something to eat. The children from Princess Marigold bowing on their stage, Mary running up from behind the camera to join them.

MARY

Hey David?

DAVID

What?

MARY

Do you think we'll be friends still in twenty years?

DAVID

You mean when we're old and decrepit?

MARY

Be serious.

DAVID

Yeah. I think we will.

MARY

Really?

DAVID

Yeah. Sure we'll be friends.

MARY

Even if I become really famous and you're flipping burgers.

DAVID

Yeah.

MARY

Good.

DAVID

Good.